Jason Bellamy and I have completed the latest installment of The Conversations, a discussion of Hong Kong director Wong Kar Wai, and it has now been posted at The House Next Door. It isn't a full overview of every single Wong film (as much as we would have loved to do it, that would have been pretty overwhelming, to write and to read) but a selected overview of his career based on five films. Over the course of our conversation, we talk in depth about Days of Being Wild (1990), Chungking Express (1994), In the Mood for Love (2000), 2046 (2004) and My Blueberry Nights (2007). Focusing on these films allows us to examine Wong at different points in his career, considering how he's developed even while crafting a coherent cinematic universe that's always unmistakably his. We talk about his distinctive aesthetics, his thematic preoccupations, his actors, and the continuities between his films. I'm especially happy with how this conversation turned out, so take a look and as always, join the conversation in the comment section at the House, where we invite additional commentary about Wong in general, about the films we talked about or the ones didn't.
And next month, toward the end of May, be on the lookout for the next Conversation, covering the work of Terrence Malick in preparation for his forthcoming film The Tree of Life. That piece will be a two-parter, with the first part a career overview of Malick's first four films and the second part a discussion of his latest work.